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THE EVIL GODDESS and S&M POETRY

Is it possible to write true S&M poetry and what does the word 'slave' mean here? Is there not something deeply romantic and even spiritual about the mind in full flow, zoned out in sub space where pain and gratitude are merged. Or is this merely an atavistic remnant of the survival instinct which allows consent to be given to the evolutionary dead ends we habitually stumble into and must endure until they flow of life reasserts itself in the main surge towards enlightenment? Perhaps S&M is an old spur of the evolutionary tree whose sap still contains juices that forge visions of other necessary connections we have lost in breaking free from the bonds of nature? Perhaps we must understand that as with myths, every word in human terminology takes on a divine context when dealing with the Goddess, but the words themselves frequently remain the same everyday words. We are dealing with a parallel world here, parallel words that mean two different things. The slave bows before his Goddess whose beauty increases the deeper he sinks beneath her heel.

We have lost an enchanted realm. The pathways of the gods and goddesses are overgrown with thickets. The temples are ruins choked by roots and gnawed by the sun. The heroism of today is purely instrumental. A cool hand upon the instruments of technology, of action which we call moral in order to act rather than being which is saturated in passion and an excess and surplus which is life itself. Life as a mystery and degradation as one of it's paths to possession of the unattainable destiny - the quest to be ourselves. You rightly guess at a quandary, the impossibility of being an individual and everywhere the extolled supposition of the individual. It is this impossibility which leads the Christian to feel a double sense of sin, the first in guessing they can never be themselves, the second in knowing they are running away from this self they cannot be.

But this sin is paltry, much less than the mysteries of the shameful sins we are concerned with and its evil smile. The mystery of torture and possession, surrender and abject slavery to the mystery. The arbitrary and spectral world we glimpse when we shut our eyes, constantly merging and dissolving in a welter of half images offers a hint of what the taboo sanctuaries of our ancestors once held. These inner realms where ritual dominated and in which the phantom and the material were joined in order to show in ever richer concatenation how from one phantom to another everything is linked. Everything is necessary. And everything is necessarily hidden.

That is why the slave writes his poetry, writing of a woman who is both empty and full, writing of a mystery unattainable and elsewhere and yet supremely of the body with a flair for betrayal and beauty. `Helen had been the living proof of the Athenian theorem, according to which "beauty, by nature, rules over strength."' The slave knows this ... that the sovereignty of beauty comes into its own only when strength has pushed itself to the limit, which is the will-less endurance of the slave who in his fall knows his Queen is elevated in luxury and glows with increase of beauty. In this is held the secret to a long story, the story of the origin of possession. The Nymph is possession, and a nympholeptos is a person who becomes delirious on being captured by the Nymphs. And possession by a God or Goddess necessarily involved a rape, how else could the mortal come into contact with the divine. The Goddess necessarily ravishes and worship by the slave necessarily involves his exploitation and his singing deeply humiliating songs in praise of his usury. It becomes a sacred duty to follow those rites that enable him to be exposed to control for in doing so he acknowledges the rights of beauty over strength and in doing so glimpses the unabrogated privileges of The Goddess in all Her terrible and wicked splendor. The slave becomes a mirror in which the Goddess both glimpses and revels in the great power Her beauty has given to Her - Her evil power is nature's gift.

written by slave sirbastard

 

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